Nathan Moody & HHNOI | Future Rituals Modularfield (CS/DL) An exciting tape split has just surfaced by California sound artist/designer Nathan Moody (whose recent Heliopause we loved) and German ambient sound-shaper HHNOI (Marco Petracca) for which this serves as an introduction to his work. Moody’s work covers side one, a bubbly soft minimal synth faces-off […]

Lingua Lustra | Red Shift Silent (DL) Opening with the title cut (or Redshift), this half-hour long recording has an undulating and synthetic quality. Red Shift is Lingua Lustra‘s latest ambient evolution and the Dutch wave bender Albert Borkent’s first release of 2019 (he put out four separate releases last year). This is not your […]

Maps and Diagrams | Azurescens False Industries + Handstitched* (CD/CS/DL) Tim Diagram (Tim Martin) and Yair Etziony collaborate on a release appearing on their own imprints (limited + numbered); Handstitched* and False Industries – the latest from Maps and Diagrams is Azurescens.  Once you dip your ears into this chilly production of hair-raising synths and strange […]

Rosalind Hall | Drift Cassauna/IMPREC (CS/DL) Australian musician and composer Rosalind Hall‘s newest tape is called Drift (mastered by Alan F Jones/Laminal Audio) including three microtonal compositions of sax reverberations, synths and field recordings.  On Burden (part of the Avant Whatever festival in Melbourne, 2016) she offers a submerged atmosphere. It is a gray space, […]

Benoit Pioulard and Sean Curtis Patrick | Avocationals Beacon Sound (LP/DL) Released by PDX’s Beacon Sound in an edition of 500 just five days ago and already sold out (though Forced Exposure may still have you covered). This is the very first collaboration between Seattleite Thomas Meluch (aka Benoit Pioulard) and Sean Curtis Patrick, based […]

Quest | Yesternights st.an.da. (CD/DL) Frans de Waard‘s long-running aka Quest has been consistently putting out quizzical electronics over the past few years, nearly one per annum. On Yesternights (edition of 100 on the Silentes sub-label) we are engaged with symphonic swelling synths that are like molecules of mist. The seven tracks open with the […]